Endgame, as unity of Samuel Becketts most famous hunt downs, describes the rite small routines of lives of four people who are living in a bare, partially underground room. The title Endgame is taken from the last part of a chess game when thither are very few pieces left, which implies those four peoples life would demise soon. By showing the complex relationships between four people, the play expresses family dysfunction and codependence. They do not like each other, except they are dependent on each other to live. In the play, it can be identified three father- countersign relationships, Nagg and Hamm, Hamm and Clov, and The beggar and his son.
Nagg and Hamm is the most obvious father-son relationship in the play. Each of them has one(a) long monologue while the other one is listening. From these deuce monologues, we know that Hamm always like to talk to his father Nagg, and Nagg does not like to listen to him. When Hamm was young, Hamm woke Nagg up when frightened in the dark and had Nagg listen to him. At that clipping, Nagg was as happy as a king, because their father-son relationship was really close. As time went by, Hamm became the king of the small shelter whereas his father Nagg lived in a garbage can.
At this time, all Nagg could do is begging for food, because they intimately lost their father-son relationship. However, even like that, they still rely on each other. Nagg needs food from Hamm and Hamm needs Nagg listen to his inessential speech.
Hamm and Clov are locked into some kind of interminable relationship displease to both of them: Hamm keeps Clov on as his servant because Theres no one else, and Clov stays on because Theres nowhere else. Their relationship is kind mysterious, but...
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